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Caprice no. 21



Have you ever heard of a polonaise for solo viola - or for any solo string instrument? ....Neither have I. Number 21 is a diamond in the rough. Until I learned it for this project, I would take one look at this caprice and immediately move on to the next one, intimidated by the amount of trills and 32nd notes.

Last year, it was finally time to learn the piece for real. After analyzing, practicing, and playing it A LOT, I realized that I needed to play my viola like a pianist playing a polonaise. Just let the notes fly.

Easier said than done, of course. It took a lot of experimentation and tested my patience. But in the end, I had a lot of fun playing this piece. In fact, now I would love to record it again - and play it just a notch faster. But first, I have a few more caprices to go....


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Introduction

Background Two years ago, I assigned one of Bartolomeo Campagnoli's 41 Caprices for Viola, Op. 22 to a student of mine. At our lesson the following week, she told me she had searched for a recording online but couldn't find one. Listening to assigned pieces is a regular exercise for her (as for many of my students), and the fact that she couldn't find a recording hindered her progress that week. I went home that evening and began searching online for recordings of the caprices, and found they were sadly lacking. Campagnoli's Caprices for Viola are as difficult and musical as Paganini's 24 Caprices for Violin, yet as scarce as Paganini's are popular in representation. That's when I realized someone needed to change that. In fact, I could change it. I thought up a far-fetched dream to record all forty-one caprices. After practicing some of my favorite caprices and realizing their true difficulty, I got discouraged and put the thought away for a w

Caprice no. 40

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